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Sean Fraser (b. 1953) is a writer who studied under Professors Baudelaire, Mallarmé, and Apollinaire following High School. His written work includes teleplays, screenplays, white papers, adverts, procedures, manuals, et al. The writing style of his literary works is a portmanteau of Romanticisme, Décadentisme, and Symbolisme wherein those written works may be considered variations on a Theme in which leitmotifs of Chaos, Existence, and Dreams are used in all after having been seen at the Peep-shows and Sideshows of Logic and Reason.

Théorèmes, Rhymes & Tales: Voyages et «Pièces condamnées, galanteries, epigraphes, pièces diverses & bouffonneries1» (including maxims, adagia, and aphorisms, gnomes and saws [unless otherwise acknowledged]) have been written by him. «La Femme Eidôlon : A Tale» eBook [] was written over a Thirty-year Entr'acte. He has Chimera pièces, too. [] And, VERStype cut-ups. [] And, an article on book-collecting at Empty Mirror Books [].

[ @TheatreSean ]

General Information:


1. The Walrus and The Carpenter : Meter and rhyme

2. The Hunting of the Snark (An Agony in 8 Fits)[1] : Meter, Rhyme and Structure

3. A Midsummer Night’s Dream : Meter and Rhyme, Sentence structure, Schemes

4. Lewis Carroll[2] : Portmanteau

5. William Morris[3] and Edward Gorey[4] : Word use and Self-Publishing

6. Charles Baudelaire : [Original Texts] Word use and Schemes

7. Stéphane Mallarmé : [Original Texts] Mythos, Schemes, Word use, Line structure and Work structure

8. Guillaume Apollinaire : [Original Texts] Word use, Line structure and Work structure

9. Donatien Alphonse François, Marquis de Sade, Voltaire, Jonathan Swift, and François Rabelais : Mythos and Polemics

10. Isidore-Lucien Ducasse, Raymond Roussel, H. P. Lovecraft, and Rikki Ducornet : Mythos and Narrative

11. James Joyce[5] : Word use and Line structure

12. Kenneth Patchen : Portmanteau

13. Ambrose Bierce, Lord Byron, Angela Carter, Leonora Carrington, Raymond Chandler, G. K. Chesterton, Samuel Taylor Coleridge, Joseph Conrad, Marcel Duchamp, William Faulkner, Joris-Karl Huysmans, Eugène Ionesco, Washington Irving, John Keats, Arthur Machen, Richard Matheson, Herman Melville, Mervyn Peake, Edgar Poe, Sade, Percy Bysshe Shelley, Alfred Lord Tennyson, and Rod Serling[6] : Schemes, Narrative & Divers

[It should be noted that Stage 13 began during the first Stage and

continued the length of this endeavor when those Authors’ works were

found and read with Influences that were forgotten after subsumption of

their Lessons.]

See The Annotated Snark by Martin Gardner.

See The Annotated Alice: The Definitive Edition by Martin Gardner.

The Kelmscott Press.

The Fantod Press.

See Here Comes Everybody: An Introduction to James Joyce for the

Ordinary Reader (also published as ReJoyce) and Joysprick: An

Introduction to the Language of James Joyce by Anthony Burgess.

In 1974, I attended Sherwood Oaks Experimental College for a

screenwriting workshop given by Rod Serling from which I learned

more than how to write a script.

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Zoë : or, The Clockwork Spheres of Paradise: Clermont-Ferrand

By: Sean Fraser

Clermont-Ferrand is the eighth of 13 chapters published in serial form is a Théâtre-pièce in four mouvements:— Prelude in V Actes, Entr'acte in III Actes, Escapade in III Actes, and Intermède in II Actes.

Confluence: France, 1913 — Plots made forfeit; intrigues abated; guests from Orbis infernum and Orbis terrae congress in introductions, confidences, spirited colloquies and ebullient exultant games of Chance; and, the Grand Mortality caused by baleful withering once believed by les Citoyens immortels as but a conte d’horreur is divulged to be.

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Zoë : or, The Clockwork Spheres of Paradise: Lyon

By: Sean Fraser

Lyon is the seventh of 17 chapters published in serial form. It is here dénoûments are made of the plots ushering cataclysmic Change.

Entr’acte: France, 1913 — Les Daemons æternels in this play shall perform as they have for centuries done; and, these acts, in which they are seen in this Modern Age, that may have been written in custom-houses of Lunacy when in other times were written in athenæums sublimis ab undaes, shall succor those affrighted and dismayed.

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Zoë : or, The Clockwork Spheres of Paradise: Saint-Étienne

By: Sean Fraser

Saint-Étienne is the sixth of 13 chapters published in serial form wherein Zoë went in the département Loire where it was discussed the six spheres—la Terre, l’Enfer, le Purgatoire, le Paradis and les Limbes—that, if one believes la Terre is in the liminality—confluence—of Spheres, Plurality exists; and, all things during those days were done while grand clockworks were begun after Plan XVII was adopted by the French Conseil Supérieur de la Guerre.

Indigenus: France, 1913 — Autochthones and Wights - les Citoyens immortels - in the Three Kingdoms of l’Ancien Régime sought the evanescence of Past returning as Belle Époque wanes with presentiment of the events that would come as Man exults Progress.

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Zoë : or, The Clockwork Spheres of Paradise: Tournon

By: Sean Fraser

Tournon is the fifth of 17 chapters published in serial form wherein Zoë continues on her promenade.

Potestates: France, 1913 — Monarchies, Republics, Terrors, Consulates, Confœderacies and Religions and Empires sought dominion over all things in Nature; and, by their extended acts of Colonialism, so would make Earth as sepulture in the vault of Æther.

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Zoë : or, The Clockwork Spheres of Paradise: Zone-Saint-Cloud

By: Sean Fraser

Zone-Saint-Cloud is the fourth of 13 chapters published in serial form wherein Zoë meets the Statesman; and visits le Closet des Brumes arcade and les Trois Magies arcades: Theourgia, Maleficium, Spiritalis; listens to The Scrivening Tale; attends a Tent Revival on the flat lands in département Drôme; and, views a Théâtre Tale.

Intrigues and Plots: France, 1913 — Statesmen, Chancellors, Ministers, Potestates and Lords conspire with Intolerance: Aristocracy, Timocracy, Tyranny, and enlightened Despotism were enlarged by the swift increase of their acts of Imperialism.

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Zoë : or, The Clockwork Spheres of Paradise: Grand Canyon du Verdon

By: Sean Fraser

Grand Canyon du Verdon is the third of 13 chapters published in serial form wherein Zoë meets the Judge, the Tiger, Guillaume Merle, the Chess Player, the Prostitute, and the Sylphide-Collector; and, passes the twenty arcades of Magia Naturalis.

Alliances and Ententes: France, 1913 — England, France, Italy, Russia, Serbia, Montenegro, Albania, Greece, Portugal and Rumania; the German Empire, the Austro-Hungarian Empire and the Ottoman Empire.

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Zoë : or, The Clockwork Spheres of Paradise: Vese

By: Sean Fraser

Vese is the second of 17 chapters published in serial form wherein Zoë meets the Astronomer, the Lamp-Lighter, the Aristocrat, and the Chancellor; and, visits les Sept Arts interdits arcade, Grand Hôtel Dieu de Vese, and Autochthones and Wights arcade.

L’Âge Moderne: France, 1913 — Statesmen, Chancellors, Ministers, and Lords sought the divine virtues of Imperialism and Colonialism under the Arguments presented by agents of the Nine Cardinal Virtues: Divinity, Honour, Justice, Melancholy, Piety, Prudence, Sovereignty, Temperance and Transcendence for the States mired in Panic and Depression; and, injustices remaining from the Napoleonic and 1870 Wars.

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Zoë : or, The Clockwork Spheres of Paradise: Notre-Dame-de-Grâce

By: Sean Fraser

Notre-Dame-de-Grâce is the first of 17 chapters published in serial form wherein Zoë meets the Ferryman and the Lighthouse-Keeper.

L’Ancien Régime: France, 1913 — Modern vicissitudes in les Belles Époques had ascended in a progressive era which begat the Machine Age. Presidents, Lords, Kings, Courts, Parliaments and Congresses and Leagues were belaboured against the Senses of Reason and Logic as they indulged with the Seven Deadly Vices: Sloth, Jealousy, Greed, Ignorance, Intolerance, Despair and Fear; and, in the intrigues performed, they would be sent forth on that voyage where all are passenger.

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La Femme Eidôlon : A Tale

By: Sean Fraser

A Concrete Verse poem which may be considered an elegiac Idyll on Beauty as Idée was written over a Thirty-year Entr'acte. It was composed of and with occurrences that began in 1963 of which some lines may be found in poems from "Miss Crabtree's Daughters" and "On the Nature of Existence".

Light as ponderous settling fog obscures | Reflections of flesh once was | Hundred-year mirror | Age has | photographs belied | They silently exist | by prusse Moon lit: | forgotten | were Reminiscences to be found; | Sorrows in Solitude solace consoled by one not seen; | embraces and caresses adumbrated | by Presence; | Existence frolicked imp-like: | Revelments paled | Resplendences paled | The currents set by Chronos slowed in the dark of Chaos; | And Beauty smiling |...

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