World Library  
Flag as Inappropriate
Email this Article

Andrew Sarris

Andrew Sarris
Born October 31, 1928
Brooklyn, New York
Died June 20, 2012(2012-06-20) (aged 83)
Manhattan, New York[1]
Occupation Film critic
Spouse Molly Haskell

Andrew Sarris (October 31, 1928 – June 20, 2012) was an American film critic, a leading proponent of the auteur theory of criticism.[1]


  • Life and career 1
  • History and criticism 2
  • Bibliography 3
  • References 4
  • External links 5

Life and career

Sarris was born in Ozone Park, Queens.[2] After attending John Adams High School in South Ozone Park (where he overlapped with Jimmy Breslin), he graduated from Columbia University in 1951 and subsequently served for three years in the Army Signal Corps before moving to Paris for a year, where he befriended Jean-Luc Godard and François Truffaut. Upon returning to New York, Sarris began to write for Film Culture; in 1960, his first review for The Village Voice—a laudatory review of Psycho—was published. He is generally credited with popularizing the auteur theory in the United States of America and coining the term in his 1962 essay, "Notes on the Auteur Theory," which critics writing in Cahiers du Cinéma had inspired.[3]

Sarris wrote the highly influential book The American Cinema: Directors and Directions 1929–1968 (1968), an opinionated assessment of films of the sound era, organized by director. The book was to influence many other critics and help raise awareness of the role of the film director and, in particular, of the auteur theory. In The American Cinema, Sarris lists what he termed the "pantheon" of the 14 greatest film directors who had worked in the United States. The list includes the Americans Robert Flaherty, John Ford, D. W. Griffith, Howard Hawks, Buster Keaton, and Orson Welles; the Germans Fritz Lang, Ernst Lubitsch, F. W. Murnau, Max Ophüls, and Josef von Sternberg; the British Charles Chaplin, Alfred Hitchcock; and the French Jean Renoir. He also identified second—and third—tier directors, downplaying the work of Billy Wilder, David Lean, and Stanley Kubrick, among others. In his 1998 book You Ain't Heard Nothing Yet: The American Talking Film, History and Memory 1927–1949, Sarris upgraded the status of Billy Wilder to pantheon level and apologized for his earlier harsh assessment in The American Cinema.[4]

For many years, he wrote for NY Film Bulletin and The Village Voice. During this part of his career, he was often seen as a rival to Pauline Kael, who had originally attacked the auteur theory in her essay "Circles and Squares."[5]

His career is considered at length in For the Love of Movies: The Story of American Film Criticism, first with other critics discussing how he brought the auteur theory from France, and then by Sarris himself explaining how he applied that theory to his original review of Alfred Hitchcock’s Psycho. Speaking of his long-time critical feuds with Kael, Sarris says that, oddly, "We made each other. We established a dialectic."[6]

He continued to write film criticism regularly until 2009 for The New York Observer, and was a professor of film at Columbia University (where he earned a master's degree in 1998), teaching courses in international film history, American cinema, and Alfred Hitchcock until his retirement in 2011. Sarris was a co-founder of the National Society of Film Critics. Film critics such as J. Hoberman,[7] Kenneth Turan,[8] Armond White,[9] Michael Phillips, and AO Scott[10] have cited him as an influence.

Sarris was married to fellow film critic, Molly Haskell, in 1969; they lived on the Upper East Side of Manhattan.[1]

History and criticism

Sarris' method of ranking directors in The American Cinema has been criticized as elitist and subjective. Those who do not make the cut of the Pantheon category are dismissed under categorical headings listed in the table of contents that descend as follows: The Far Side of Paradise, Fringe Benefits, Less Than Meets The Eye, Lightly Likable, Strained Seriousness, Oddities, One-Shots, and Newcomers, Subjects for Further Research, Make Way for the Clowns!, and Miscellany.[11]

Criticism of the auteur theory often stems from a misunderstanding of its "dogmatic" nature. Famously a revisionist, Sarris defends his original article "Notes on Auteur Theory" in The American Cinema stating: “the article was written in what I thought was a modest, tentative, experimental manner, it was certainly not intended as the last word on the subject.”[11] He further has stated that the auteur theory should not be considered a theory at all but rather "a collection of facts, a reminder of movies to be resurrected, of genres to be redeemed, of directors to be rediscovered."[12]


  • The Films of Josef Von Sternberg
  • The American Cinema: Directors and Directions 1929–1968
  • Confessions of a Cultist
  • The Primal Screen
  • Politics and Cinema
  • The John Ford Movie Mystery
  • You Ain't Heard Nothin' Yet: The American Talking Film – History and Memory, 1927–1949


  1. ^ a b c Powell, Michael (20 June 2012). "Andrew Sarris, Film Critic, Dies at 83". The New York Times. Retrieved 24 July 2012. 
  2. ^ Who's who in writers, editors & poets, United States & Canada – Google Books
  3. ^ Sarris, Andrew (Winter 1962/3). "Notes on the Auteur Theory in 1962". Film Culture 27: 1–8. 
  4. ^ Andrew Sarris You Ain't Heard Nothing Yet: The American Talking Film, History and Memory 1927–1949, New York: Oxford University Press, 1998, p.324-34, 328
  5. ^ Kael, Pauline (Spring 1963). "Circles and Squares". Film Quarterly 16 (3): 12–26.  
  6. ^ For the Love of Movies: The Story of American Film Criticism at the TCM Movie Database
  7. ^ J. Hoberman (2005-10-18). "Get Reel".  
  8. ^ "Sight & Sound; Critics On Critics". BFI. 2010-03-25. Retrieved 2011-02-23. 
  9. ^ "THE CRITIC- Filmmaker Magazine – Winter 2004". Filmmaker Magazine. Retrieved 2011-02-23. 
  10. ^ [1]
  11. ^ a b Sarris, Andrew. The American Cinema. New York: Dutton, 1968.
  12. ^ Sarris, Andrew. Quoted in Kent Jones “Hail the Conquering Hero: Andrew Sarris Profiled.” Film Comment Magazine Online Accessed 25 October 2011.

External links

  • movie review archiveNew York ObserverAndrew Sarris'
  • Andrew Sarris' Top Ten Lists: 1958–2006
  • Film CommentKent Jones' tribute to Sarris in
  • Profile/interview at The New York Times
  • Columbia University profile
  • Official Andrew Sarris tribute site
This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.

Copyright © World Library Foundation. All rights reserved. eBooks from World eBook Fair are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.